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london

These set of colours mean a lot to Londoners:

London's tube line colours

It’s a piece from Art on the Underground. They’ve been commissioning temporary artworks for London’s tube system since 2000. Their main space is a disused platform at Gloucester Road underground station:

Brian Griffiths 'Life Is A Laugh' - until May 2008

They’ve got a new plan: to commission permanent installations throughout the system. About time too. The New York Subway has been doing this for years. I enjoyed the following two:

Link to a site on NYC Subway art
Bronze figures playing on the platforms More pictures from the same installation.

Link to a site on NYC Subway art
Walls slid to reveal mosaics
More pictures from the same installation.

For those of you visiting from the BBC iPM blog, here is a very large version of my suggested design for the London tube map. This is a version that illustrates the system as it could be in 2012. That means a more extensive London Overground network, some DLR changes and the completion of the station changes around Shepherds Bush.

London’s underground and overground network
Click to enlarge (a lot)

For more on the design, see my page on the design of London’s tube map.

…to end my short diversion into the world of public transport, one more idea.

People who use public transport rarely usually choose a train before a bus. Train maps and services are simpler to understand. They get into much deeper trouble when a line is disrupted. What are the alternative routes?

How about setting up a bus route to follow each tube line and inner suburban train line. They would have stops at major stations, and if the gap between stations is large, they’d have a stop mid-way. These routes have already been defined by the train companies: they have planned them for the case where they need to provide a replacement bus service when the line needs to be closed.

This means you can have a 24 hour service on all train lines – using buses. It is a lot easier to translate your understanding from a tube map to a set of buses that follow the same routes.

…now back to the movies…

As the London tube system will only get more complicated, maybe it is time to consider using an idea from the Paris Metro: make more of names of the terminii of each line. I think that one of the biggest problems for new users of the system is the use of compass-point directions (‘Eastbound and Westbound’) at tube stations.

Sometimes I need to change at Westminster. When I do, I see that the Jubilee platforms are labelled as being for trains going ‘Westbound’ and ‘Eastbound’. Surely from the point of view of most Londoners, certainly for those who navigate by the tube map, the Jubilee line goes north-south at that point, and the sub-surface lines east-west. The District and Circle aren’t marked as going Northbound and Southbound at Westminster (which are the directions it travels at that station).

Both the Jubilee and Bakerloo lines leave Baker Street to the east. Their platforms aren’t described as Eastbound.

Signage could look like this:

With a revised (2012) tube map looking like this:

The 2012 tube map with the teminii emphasised
Click to enlarge.

To all those who are following a link to my redesigned tube map, please click one more time to see the original post and more on the London Tube Map. The comments below apply to the map shown on that page.

Apologies for the diversion!

After a few hours of producing the new, improved (current) final version of The Things We Do for Love over the weekend. I attended the screening on behalf of myself and George (who’s on holiday at the moment).

The organisers were very understanding. They showed the new version I brought along. They also put the lights up before the show for my introduction and after for questions. The audience were kind enough to ask questions too. George and I got laughs, sighs of approval and comments reacting to our wise contributors (‘that’s right!’).

I managed to get a quote too.

Jonathan Barnett, director of The Portobello Film Festival said it was “Life affirming, goodhearted and amusing. A big hit at our festival.

I’ve done a lot of work on making the DVD version, which will include the original 40 minute documentary, production notes and over 30 minutes of bonus footage. The DVD will cost you £8 – with my profits going to Help the Aged.

Two things to do tomorrow. Visit the screenwriter’s group to support and be supported by other writers. Visit the Manhattan Monologue Slam for a very good value evening out. You’ll see stars of the future put their all into making the most of three minutes on stage.

For more on the Slam, see last month’s post.

For those of you in London, you also have a choice. Between a screenwriters group and a film networking party. Soho Screenwriters meets every Monday in Soho. The evening has three parts. The first part is a lecture on some aspect of screenwriting. Here’s the blurb on tomorrow’s:

A film consists of two stories, one the objective story (plot) the backdrop against which the second hero’s story (the “subjective” story) takes place. The central protagonist at the end of a story will not have the same characterisation that they started with; they must go through a psychological transformation (arc) to achieve their objective goal. This week’s seminar traces the Inner Journey, as are hero deals with the object and subjective obstacles in their way, from the Ghost to the assertion of the Theme.

The second part is made up of pitches and script readings. You can bring your work along, and the group will assess it. The third part is in the pub where the talk goes on until late. The session starts at 7.30 and only costs £4. Very good value. Find out more.

From a weekly event to an annual one (like toothbrush-holesmanship): I’ll be going to the The Talent Circle Super Shorts party. Looks like I’ll have to get some more cards and work up a variety of CVs for the occasion.

Coming back to the UK was about getting into the London scene as soon as possible. That was what this evening was about. I went to a networking party at the Rushes Soho Shorts festival.

Although I came up with a new business card design, refreshed my website, burned some more demo DVDs… it was only in the middle of the networking evening that I started to remember some of the principles of such events. Better late than never I suppose. Before you arrive, set some targets. Plan to hand out promotional material (showreel DVDs and business cards and ‘wisdom’). Talk to as many different people as possible.

It’s odd. As I burn the DVDs, label them and make cards for the cases, the effort sometimes makes me think that the resultant packages are precious. That I shouldn’t hand them out to any old person. Silly. I now realise that DVDs and business cards are made for giving out.

I did well in the first few minutes. While talking to the man who runs the Director’s Guild of Great Britain, I helped out a woman who had too much to carry. She was from Satusfaction.com – a freelance edtor’s agency. A good start. Then I met a journalist from AV magazine and a man who has been recently working at MTV in London. I bumped into Henry, a old regular attendee of The London Script Consultancy’s Soho Screenwriters group.

I then talked to three lovely women from the US who are here in London for a few months. I may have shown off a bit, but I felt they were better able to receive a hard sell. This networking situation is most likely to bring out the retiring Englishman in me. However, there’s no point being shy and retiring at a networking party.

One of the best ideas of the evening was the opportunity of any attendee to have their music video shown to the crowd. Once all the DVDs had been played, I took the chance to play my music video animation from 2002 using my iPod.

If you have an iPod that can play video, I strongly recommend the you put elements of your reel on it. Carry some good headphones and a cable to plug into the nearest TV or projector and you’re ready to go.

One of the major differences between the US and the UK at the moment is the day-to-day attitude towards Iraq. In the UK we know that some of the people who volunteered to be part of the armed forces may be sent to Iraq. Every few days we hear that some of our sons and daughters have died over there. In the US it feels as if you are in a country at war. Adverts on TV, at the cinema, elements of the stories we tell each other are constant reminder of the war. For example, there’s an advert on US TV that advises parents to be ready to deal with the conversation they will need to have as a family when a child announces that they want to join up.

I don’t think that kind of involvement will ever come the the UK. But there are signs of wartime appearing elsewhere. This evening I went along to a screening of the finalists in the Documentry category of the Rushes Soho Shorts festival. There 14 finalists. 7 of them were about death! Suzanne was told that was a topic that came up a lot in this year’s entries.

The evening was not as morbid as this sounds. There are plenty of laughs, and you’ll be thinking about and debating these films for a while to come. The documentary session lasts two hours, so check it out at Tuesday 31st July at 10am at Soho Screening Rooms, 2pm at The Montague Pyke, Wednesday 1st August at 10am at Curzon Soho, 4pm at The Hospital and Thursday 2nd August at 10am at Soho Images. Suzanne’s doc is called Out of Time, and is shown approximately 25 minutes into each session.

Will this topic be popular for a while to come, or will we be telling each other stories about something else?

Suzanne’s doc is also in the Portobello film festival – on the day after the one I directed. Out of Time is screening on Monday 6th August at the Inn on the Green at around 8.30pm I think. As for mine, the event is free, so Londoners – go along and give her your ‘support’

For now, download the full brochure (2MB PDF) for the whole festival.