Following on from my post about the London SuperMeet, the organisers have kindly offered me a discount code which you can use to save £5 on advance tickets. Enter ‘alex4d’ as your discount code or follow this link.
There are few events where post production professionals can escape their dark rooms full of technology. The calendar is pretty sparse: Winter: BVE in London, Spring: NAB in Las Vegas, Autumn: IBC in Amsterdam.
So it’s great news that this Summer sees the third London SuperMeet.
SuperMeets are exciting events for editors and other filmmakers who want to be inspired by, learn from and connect with other creative professionals.
Doors open at 4.30pm for the Digital Showcase, an exhibition featuring the newest TV and film making products and services.
The main show starts at 7pm and features a conversation and Q&A with Tom Rolf, A.C.E. editor of Taxi Driver, French Connection II, The Right Stuff, Jacob’s Ladder, WarGames, Sneakers and Heat.
The full agenda hasn’t been announced yet, but previous years have included the London premiere of Final Cut Pro X, 3D and Autodesk Smoke for Mac OS X, integrating Final Cut Pro with Adobe creative suite applications and speakers such as Philip Bloom, Martin Baker, Larry Jordan and Walter Murch.
Each SuperMeet ticket includes two raffle tickets
As well as the exhibition, networking and presentations, SuperMeets are known for their product raffles. Throughout the evening raffle tickets are chosen and winners are called to the stage to receive one of many prizes.
The value of the prizes at the last London SuperMeet amounted to over £25,000.
SuperMeet tickets cost £10 + 90p booking fee – until May 29.
Tickets bought at the door on the night cost £20.
Student tickets cost £10 + 90p booking fee.
I hope to meet you there!
I know you could meet editors, post-production people, TV-show and movie makers from the UK and Europe. You’d see presentations on Final Cut Pro, Smoke for Mac OS X and Davinci Resolve 8.
There’s a chance Final Cut Pro X will have been launched by then, and this will be the first major event for us all to get together to talk about the implications.
But I’d rather you didn’t go. Michael Horton very kindly sent me a free ticket. I’m sorted. It’s not fair that you have to pay £20 for five hours plus of Final Cut and Mac post-production community building, education and inspiration.
The fact that if you don’t go, I’ve got a much better chance of winning a share of the £25,000+ raffle is nothing to do with it…
As I’m doing a huge favour to the organisers of Tuesday’s MacVideo Expo in London, they’re doing me a favour in return. If you email me with your name and company name, you can save the full £10 entry fee. There are three tickets left as of Monday morning.
MacVideo Expo takes place at The Royal Society of Medicine, London W1 on Tuesday October 19. It is organised in the same way as a Final Cut Pro Supermeet: an exhibitor showcase, presentations and a giveaway of £10,000-worth of products to audience members. The £10 entry fee also includes a free buffet.
You don’t have to have a Mac to benefit from the event. The exhibition and show includes Panasonic’s AVCCAM range, Avid’s Media Composer 5, a 45-minute lighting demonstration from Dedo Weigert, Blackmagic Design’s DaVinci colour correction products and Autodesk’s Smoke. You’ll also be able to make connections with UK editors, camerapeople and post-production experts.
The favour I’m doing the organisers? I’m appearing on stage in a panel – The great DSLR vs Video Camera debate.
If you have an idea for a plugin for Final Cut, find me during a break. I’d love to hear about it. I’ll tell you about my next free plugin too.
An entry on Annie Mole’s Going Underground blog informed me that the London Transport Museum are now selling products where you can personalise them to show any part of the tube map you like:
Go to the ‘RailOrder’ section of the museum site to order yours.
This week Transport for London have released a big revision to the tube map. They are trying to make it clearer. It is a great deal simpler than the previous version, but they may have gone too far. The River Thames has gone:
I think that the Thames is one of the cues that gives some grounding to people who have a look at the map for the first time. In fact the river would fit perfectly well onto the current map as it is (apart from moving one station) if you incorporate a new rule: station labels are allowed to overlap the river.
Here’s a close up of what it would look like:
Instead of simplifying the map too far, here’s a reminder of my design that has all the same information as the previous map and more while being clearer:
For a long page on my thoughts on London transport design, visit this page.
For more radical tube map designs and commentary on the current official design, follow the work of author and designer Maxwell Roberts: