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final cut pro x

When you apply video transitions in Final Cut Pro X, it also applies an audio crossfade that lasts the same time. There is no option to turn this feature off. This can be a problem for tight interview edits.

There is a way of modifying an edit point so that when a video transition is applied, there is no audio crossfade.

The method is to move the audio part of the edit so it doesn’t exactly line up with the video.

You shouldn’t worry about this being noticeable because FCP can move audio edits in sub-frame units – which are 1/80th of a frame; in the case of 25p timelines, that is 1/2000th of a second.

1. Make sure clips around the edit have their audio and video tracks expanded by double-clicking each of their audio waveforms or by selecting them and choosing ‘Clip > Expand Audio / Video’ (Control-S). Alternatively you can set the timeline to ‘View > Expand All Audio/Video Clips > For All’ mode. This is so you can select the left and right edges of the audio tracks only.

Screenshots of the timeline before and after audio and video clips have been expanded

2. Select only the left and right audio edges of the edit – Press Shift-\

Screenshot of only the audio edges selected

3. Move the audio edit one subframe to the left – Press Option-,

Screenshot of only the audio edges moved back one subframe

4. Select the video edges by selecting the second next edit point – Press ‘ twice (because the first ‘ press selects the right-hand side of the audio edit point)

Screenshot of offset audio edit

5. Apply your transition – no crossfade can apply to the audio edit as it doesn’t line up with the video edit.

Screenshot of offset audio edit with transition applied

You can see that the audio waveforms join up with each other without any crossfade.

Once your transition is applied, you can still ripple and roll the clips – even though the audio edit doesn’t line up with the video edit, from a clip manipulation point of view, they are still a single edit.

Check out my free effects and articles on my Final Cut Pro X home page.

Those editors who are used to aligning transitions that start or finish on edits in Final Cut Pro Classic miss having the same feature in Final Cut Pro X.

Here’s a workaround – a couple of transitions that start a cross dissolve at the start or finish of an edit.

In Final Cut Pro Classic, transitions can be set to align at the start, centre or finish of an edit:
Screen capture of transitions in Final Cut Pro 7

This sort of alignment can’t explicitly be set in Final Cut Pro X. So, as a workaround until this feature is added, I’ve made two more cross dissolve transitions that can be used to get the same effect:

As the opacity of the incoming clip changes for only half the length of the transition, you have to make the duration of these two transitions twice that of the standard cross dissolve transition to keep the duration of the effect the same:
Screen capture of transitions in Final Cut Pro X

Download the transitions archive from here.

Expand the ZIP archive and add the folder to the Motion Templates folder in the Movies folder of your home directory:

If you don’t have Motion installed, you won’t have a Motion Templates folder in your Movies folder. Download this set of empty folders and add them to the Movies folder of your home directory.

Although the folder is called Motion Templates, you don’t need to have Motion installed on your computer for this effect to work.

If you find these free plugine useful, you might like my Alex4D Animation Transitions plugin pack:

Find out more about Alex4D Animation Transitions.

There are many more free plugins on my Final Cut Pro X page

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Here’s my first Final Cut Pro X effect: an improved version of the built-in Mask effect.

I’ve added four more points, access to numerical values for the 8 points:

In Final Cut Pro X, you aren’t limited to the minimums and maximums defined by the sliders. The maximum value for Roundness controlled by the slider is 50, but you can enter larger values in the numeric field:

I’ve also added the option to control the density of the mask inside and outside of the shape:

March 2012 update: I’ve created a more advanced set of Mask effects for Final Cut Pro X, with options to have more points on the mask and keyframable transform and distort controls.

Download the effect archive from here.

Expand the ZIP archive and add the folder to the Motion Templates folder in the Movies folder of your home directory:

If you don’t have Motion installed, you won’t have a Motion Templates folder in your Movies folder. Download this set of empty folders and add them to the Movies folder of your home directory.

Although the folder is called Motion Templates, you don’t need to have Motion installed on your computer for this effect to work.

To use the effect, apply it to a connected clip to a the main storyline:

Note that although you can keyframe the parameters in Final Cut Pro X, the co-ordinates will not animate correctly. I’ve asked Apple about this and they know about the bug in Motion 5/FCP X.

If you find this free plugin useful, you might like my Alex4D Animation Transitions plugin pack:

Find out more about Alex4D Animation Transitions.

There are many more free plugins on my Final Cut Pro X page

16-free-effects

I’ll keep this post updated with the latest official information.

Supplementary information

June 21, 2011

Final Cut Pro X, Motion 5, Compressor 4: User manuals
Use the help menu.
Also, a list of the locations of online manuals:
Final Cut Pro X User Manual
Motion 5 User User Manual
Compressor 4 User Manual

Final Cut Pro X: Support resources
Apple’s main support page – including a links to support communities.

Final Cut Pro X, Motion 5, Compressor 4: Run Software Update after installation to install Pro Apps QuickTime codecs
The Pro Apps QuickTime codecs installer is also available.

Final Cut Pro X, Motion 5, Compressor 4: Installation best practices
Whether you install on a new Mac, a separate partition or on the same drive as FCS3.

Final Cut Pro X: Options for importing media from photo-based devices
From a media card using File > Import Files, or by dragging from iPhoto or Aperture to the Event library.

Final Cut Pro X: Options for importing photos from a media card used for both videos and photos

Final Cut Pro X: Importing Sony XDCAM media
‘You’ll need to download and install the Sony XDCAM Transfer software and XDCAM Drive software.’

Final Cut Pro X: Timecode of selected media in the Inspector may not display as expected
‘Timecode of selected media is displayed in the frame rate of the media and not the frame rate of a project.’

Final Cut Pro X, Motion 5, Compressor 4: Graphics card compatibility
A list of which Macs shipped with which graphics cards.

June 22, 2011

Final Cut Pro X: Movie files from iTunes, iPhoto, and Aperture do not appear in the media browser
A feature, not a bug. Drag movies from iTunes, iPhoto, and Aperture windows to the Event Library.

Final Cut Pro X: Use “Import from Camera” when importing media from an SD card that was copied to the local drive

June 23, 2011

How to purchase Final Cut Pro X, Motion 5, Compressor 4
Go to Mac App Store

June 24, 2011

Final Cut Pro X, Motion 5, Compressor 4: Using OpenCL-enabled graphics cards

June 27, 2011

Final Cut Pro X – Technical Specifications

Motion 5 – Technical Specifications

Compressor 4 – Technical Specifications

Final Cut Pro X Supported Cameras

June 29, 2011

Final Cut Pro X: Hiding Events in the Event Library
Move their folders from the Movies/Final Cut Events folder. This applies to Projects too.

Troubleshooting

June 21, 2011

Final Cut Pro X: High data rate media may cause unexpected behavior
‘Ensure the storage device has adequate throughput to accommodate the data rate of the media.’

Final Cut Pro X: Sorting content in the iLife Media Browser may cause unexpected behavior
‘Allow the process to complete; the symptom should not occur again.’

Motion 5, Motion 4: Motion projects cannot be previewed in finder or QuickTime Player
If Motion 5 was installed on a Mac with Motion 4.

Motion 5: Alpha type analysis of media with an alpha channel may not be determined correctly
‘In the Media pane of the Inspector, choose the appropriate option’

Final Cut Pro X, Motion 5, Compressor 4: “Please see if your boot volume has sufficient space” alert when sharing to an LG Blu-ray drive
Update the firmware for the LG Blu-ray drive.

Final Cut Pro X: “Please Locate” dialog box appears when selecting Spaces presets
Spaces is an audio filter. ‘Download the additional Final Cut Pro X content.’

Compressor 4.0: Batch files created with Compressor 3.5.3 open with Compressor 4.0
Open them from within Compressor 3.5.3 using File > Open

Compressor 4: Issues applying a setting to effects-intensive Final Cut Pro X projects sent to Compressor
‘Open Compressor and close the Preview window. Do this before sending an effects-intensive Final Cut Pro X project to Compressor for transcoding to prevent unexpected behavior.’

Motion 5: Imported Photoshop files in CMYK color may not behave as expected
Re-save your .psds as RGB before importing.

Compressor 3.5.3 & 4.0, Apple Qmaster: Network interface changes are not detected until Compressor is restarted

Final Cut Pro X: Unusable fonts may cause unexpected behavior with Inspector
Use the Font Book application to determine unusable fonts. Remove them and restart Final Cut Pro X.

Final Cut Pro X: Distortion when creating Motion templates with non-square pixel aspect ratios
When creating Motion templates, use the Snapshots to create versions for different aspect ratios.

Final Cut Pro X: Keyboard commands may conflict with Spaces keyboard commands
If you want to keep using Mac OS X Spaces, change the keyboard shortcuts using System Preferences > Exposé & Spaces > Spaces

Final Cut Pro X: Systems with two graphics cards may export QuickTime movies with green artifacts
Current workaround: ‘Only use Final Cut Pro X with single graphics card on your system.’

Final Cut Pro X: “Final Cut Pro generated an error or unexpectedly quit” alert when leaving Share Monitor open
If you have the Share Monitor open, close it before restarting Final Cut Pro X.

Final Cut Pro X, Motion 5, Compressor 4: About the “Failed: Quicktime could not access a file. Offset too big” alert
‘This alert message indicates that the drive you are exporting to is getting full.’

Final Cut Pro X: Connect your camera or device directly to the built-in FireWire port on your computer
Don’t use hubs.

Final Cut Pro X: Importing a range selection of iPod or MP4 video media plays clip as a still frame
Import the full media file.

June 22, 2011

Final Cut Pro X, Motion 5, Compressor 4: “Send To” menu command from Final Cut Studio (2009) opens incorrect version of target app

June 24, 2011

Final Cut Pro X: Mac OS X 10.6.7: Media Browser option unavailable in Share menu
Update to Mac OS X 10.6.8

June 27, 2011

Compressor 3.5.3 & 4.0: QuickClusters on the same system may not work as expected
Disable the Compressor 3.5.3 QuickCluster.

June 29, 2011

Final Cut Pro X, Motion 5, Compressor 4: May be unable to open Final Cut Pro 7
Open and quit Motion 4.